![]() ![]() Many of the reverb plug-ins I’ve come across lately are either based to some degree on old designs from the likes of Lexicon, or are convolution plug-ins, stocked with impulse responses based on old designs from the likes of Lexicon. The latest studio staple to undergo a FabFilter makeover is one where fresh thinking isn’t always as abundant as you might expect. ![]() All sorts of features are implemented that wouldn’t be possible in the analogue domain, yet the control arrangements are intuitive and straightforward. What’s particularly impressive about plug-ins such as the Pro-Q 2 equaliser, Pro-C 2 compressor and Pro-MB multiband processor is the balance they strike between ease of use and versatility. Everything is tailored for mouse control, with beautifully thought-out graphical displays that offer informative feedback. Rather than mimicking the look and feel of vintage hardware, FabFilter’s philosophy is to embrace the new possibilities that software design opens up. ![]() Since then, the Amsterdam-based developers have forged an individual and very effective approach to user-interface design, and have been applying this to the core tools that mix engineers need every day. It’s more than a decade since FabFilter first grabbed the attention of the music-production world, through the innovative means of designing software filters that actually sounded good. FabFilter claim that their Pro-R combines both virtues. Typically, reverb plug-ins are either simple or versatile. ![]()
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